Sunday, April 29, 2007

Macarthur Maze Meltdown

After doing a recon driveby, I got the Wif to take me along the same route so I could take some pictures of the damatic scene after this morning's tanker explosion. The first thing that came to mind when I saw the collapsed section was how the 1989 earthquake had cause a section of the Cypress freeway to fall onto its lower deck. That happend a few hundred yards from this tanker fire, and we were driving on the freeway that was built to replace the Cypress freeway when I took these pictures.

More pics are here in a Flickr set.

Thursday, April 26, 2007

The future's so bright...

Tuesday, April 24, 2007

All quiet at the kids' pool...


My daughter's swimming lessons started last night, and at the end of the play session all the toys were collected into the bucket except for Captain Quack here. He watched the kicking practice from the relative safety of his beached vessel.

Sunday, April 22, 2007

Metal Junk Man


Usually when I drive past the large recycling place it's swamped by people pushing shopping carts loaded with aluminum cans. But today is Sunday, and when I drove by I noticed for the first time a familiar form standing guard out front, made from reclaimed metal parts.

Thursday, April 19, 2007

Another pracing horse...


Visiting my sister's house for our dad's birthday party, I noticed this statue on her counter. I've always admired this horse and decided to photograph it. I took it out on their deck and placed it on a railing. As I started shooting, I thought how nice it was to be taking pictures of something other than car fenders. Then I realized that while I wasn't photographing another car, I was photographing another prancing horse! When I was done I turned the small statue over, thinking that it might be Persian and found this: Made in Italy! I guess I am not yet out of Ferrari mode…

Tuesday, April 17, 2007

More pics up on Flickr


I've gotten most of my Ferrari Challenge pics up on my flickr page and am working through adding titles, tags and so on. Please stop by and comment!

Monday, April 16, 2007

F-1 Clienti




Ferrari’s F1 Clienti program is similar to the FXX deal, except that the cars are retired Formula One machines. Apparently these are the actual cars driven by Michael Schumacher, Gerhard Berger, and Niki Lauda. There may be more, but these were the three F1 names respresented at Sears Point. According to a couple of articles I found, #1, #2, it’s a bit cheaper to buy access to a Formula One Ferrari than to the FXX.

I was nearly as eager to see and hear the F1 cars on track as I was the FXXs. I am fortunate to have been to three F1 events in my life, Long Beach in 1983, Silverstone in 1990, and Monaco in 2000, when we sat in a grandstand at the right turn after Loews, the sounds echoing against the surrounding buildings.

Last post I went on at some length about the sound of the FXXs, but when the F1 cars started their slow climb up to Turn 2 I got chills. It’s been years since I saw Champ cars at Laguna Seca, and I suspect that they must’ve sounded similar. But F1 cars roar to life with otherworldly fury, and to me made the FXXs sound like annoying, petulant little brothers.

Everything about the F1 engines declares their place at the top of motor sport technology. The rate at which the revs climb, the pitch as the tachometer needle races toward 18 or 19 thousand RPM, and most striking to me, that incredible cracking sound when the throttle is lifted suddenly. I don’t mean ‘cracking’ as in ‘cracking toast there, dear,’ but as in shattering and breaking, which is what comes to mind when I hear that unique sound. It’s like a strange kind of gunfire out of some horrific weapon from Hell. I think most race engines make a sound approaching this due to the overlap on the cam timing, but the F1 engine’s cracking sound is simply amazing.

The F1 Clienti were a younger, more aggressive group as far as I could tell, and one of them actually spun out at the end of the first half hour session, something none of the FXX grandpas seemed willing to risk. Nice!

Being there for even half an hour of the F1 cars on rack was great. F1 has become such a yawn fest these days that the technology far surpasses any available suspense related to actual racing, so getting to see recent cars in an atmosphere free of crowds was very cool. I’d never be able to get close enough to touch the cars at an F1 race, after all. I will get more pics of these cars on Flickr asap.

By the way, if you’re going to be in the UK in June, you might want to check out Ferrari Racing Days at Silverstone, which will offer an experience similar to mine this past weekend, but on an even larger scale, including a promised 40 examples of the legendary F40. There was only one F40 at Sears Point, but even one makes quite an impression.

Sunday, April 15, 2007

The League of Nervous Gentlemen


It rained yesterday, but the wife and I didn't let that stop us from loading a truck full of lumber in the downpour. When the skies cleared, I figured that maybe I should build at least part of my new backyard fence, rather than letting the crew do the whole thing. I had a garage full of soggy redwood, after all. So I dusted off the compressor, found a medium-sized nail gun after a brief search, cleared off the workbench to free up the chop saw, and away I went. The whole time I was working, however, I was thinking about Ferraris and wondering what the FXX sounds like at full throttle.

Impressed my with fence building and appreciative of my help with her upcoming benefit for the Junior Center for Arts and Science, the wife approved a return to Ferrari land. Woot! I headed back to the track at 8 this morning, feeling rather like this kid:



The FXX looks like a super-sexy street car, but when they started warming up for their first half-hour track session, that illusion ended. If they weren’t so loud, you might find yourself able to hear O Fortuna playing as the FXX’s theme music and wondering if Carl Orff had glimpsed the FXX in some terrible dream the night before composing that music. The car sounds vicious. The FXX looks vicious, too, full of sharp wind-cheating angles, sensuous curves and huge air ducts. Standing in front of a running FXX you get the feeling that it consumes human flesh rather than gasoline and that just at this moment it’s feeling particularly hungry. It’s loud, of course, its idle a harsh, screamish growl, but when the mechanic warming it up starts revving it in that quick staccato way they do, it seems to be barking at you in the hateful, greedy way that only 800 horsepower can. I suppose the mechanics grow accustomed to the sound, but being around a car like this when you’re used to passenger cars is rather like I imagine it feels to meet the President, except that in this case you feel the creature you’re looking at possesses a keen intelligence in addition to great power. There’s something deceptive about the FXX: it looks like a really cool car you might climb into and drive if you had the kind of luck it takes to find yourself dating Elizabeth Hurley, but as soon as it fires up you realize that its soul is sizzling like an isotope and that you are simply not the man to tame this particular beast. It is, in a word or two, freakin’ AWESOME. I’d never wished so badly that I had a spare $2 million burning a hole in my pocket.

As the cars made their way to the track I hustled up to one of the few places I could get close enough to make good use of my 24-70mm lens. The cars left pit lane like screaming banshees even as they moved slowly on cold tires. They climbed up to Turn 2 at a leisurely pace, and I waited patiently to see some speed from these monsters as the half-hour session unfolded. But then something strange happened. Only one of the cars seemed to be making any use of all that power and handling. Pictures like the one below make it look like the cars were going faster than they seeemed in person.



There was one section of the track that was straight as an arrow, and I could hear the cars going full throttle there, but Sears Point is a fairly challenging track with considerable elevation changes and some tricky turns. I got the distinct feeling that the wealthy men driving these cars were more concerned with not crashing them than with getting $2 million worth of fun out of them. Except for that one straight section, these guys seemed extremely nervous. So while it was great to see the cars on track and hear them running, it was a bit anti-climactic to watch them tip-toe around the track. When the F430 practice session started just after the FXXs returned to the paddock, the F430s seemed to be going much faster. I don’t know what the lap times were, but to the credit of the F430 drivers, they were there to race and were trying to go fast.



When I retuned to the paddock, I noticed that the FXX drivers are easy to spot: they get red driving suits with the FXX Programme logo on the back. I think there were six or seven FXXs there today. I saw several of the drivers and the man pictured above was the only one I saw who didn’t appear to be, shall we say, in the autumn of his years, which I decided explained to some extent the delicate way most of the cars were moving around the track. Two of the men in FXX duds looked at least 70, and I was impressed that at their time in life they were brave enough to climb into these machines and go anywhere at all in them.

I guess it takes a long time to make enough money to afford this opportunity. And maybe, no matter how old you are or how rich, you don’t want to be the next youtube clip of some jackass totaling a very rare Ferrari.

Even though I was disappointed in the pace of the FXXs on track, seeing and hearing them in person was fantastic. If you like cars and you ever have the chance to sees these amazing machines, I highly recommend it.

Saturday, April 14, 2007

You think your gas is pricey?

This is the track gas pump, selling high octane leaded gas at two pumps like this one, as well as unleaded gas of higher octane than we find for passengers cars at a third pump. The good stuff is almost $6.50 a gallon! Wait a minute...how much do they pay in Europe for a gallon of plain old unleaded these days? I hate to think what 116 octane leaded costs at Silverstone!

Friday, April 13, 2007

Ferrari Friday

Today I went to Sears Point (properly referred to as Infineon Raceway, but as I started going there 35+ years ago, it will always be Sears Point to me) to check out the Ferrari Challenge. This is a series of races sponsored by Ferrari for owners of modified F430s and historical racing Ferraris. This year there are also five F1 cars (I saw five, there may be more tomorrow) and a whole row of FXXs, which look like Enzos but which are part of a special program run by Ferrari that costs around $2 million to participate in.


I’m not a huge Ferrari fan, at least, I wasn’t before today. I went in order to get some practice taking photos of fast machines, as I will be brining the camera on this year's trip to the US MotoGP event at Laguna Seca. I’d intended to rent a long lens but was too busy this week to get to the rental place. So I took my standard kit, the 30D with the 24-70mm.

For some reason I continue to be amazed each time I stumble upon a new sub-culture, and the group of Ferrari owners/enthusiasts I got to observe today is really something. First, to participate other than as a spectator requires considerable means. These people are rich, who play with Ferraris as toys. I had no idea what kind of wealth I was seeing until I started talking to a very nice guy who told me that he was there in support of his boss, a Miami developer who owns and races two F430s. The team brings the cars in a 40-ft two-level trailer, accompanied by a second trailer for the motorcycles and a rockstar-style bus to hang out in. A team of four or five uniformed mechanics tends to the cars, and family members and friends come along to enjoy the weekend. It's a pretty nice hobby, I must admit. The boss is too busy to practice racing: he just shows up to each of the six FC events and does the best he can, which seems to be pretty well indeed.



The cars themselves are amazing, and I took A LOT of pictures. I’ve gone quickly through them and picked a few that I liked immediately to include here. It will take days to edit the rest, and by edit I mean throw the vast majority away. I managed to observe a few more interesting things, as well, and will try to post some more pics and comments next week.

Thursday, April 12, 2007

The Hook

Several friends have asked me what the book’s about, so I thought I’d post this to answer everyone who has wondered since my last post. Talking about the book is good practice for me, and in fact I could use some help with something related to that very thing.

I’ve heard many times that marketing one’s book begins long before publication. An important element of this marketing is having a good ‘hook,’ a concise two or three-sentence description that intrigues the listener as it gives some idea of the type of story you’ve written. With my previous books I have found this very difficult—self-promotion has never been one of my strong points. But I’m determined to develop a good hook for this novel and it’s your lucky day: you get to watch me suffer as I try.

Here it goes:

San Francisco Police Inspector Dan Oberlin finds himself the only suspect in the murder of a professional rival. He must stay one step ahead of his own department as he follows a trail of recent murders, learning along the way that to stop the killer, Dan must uncover his own father’s darkest secrets.


The story is currently 426 pages long, and trying to condense that much story into a couple of sentences is difficult. Finding just the right details to reveal in the hook is something I’ll have to work on. Perhaps the people who help me out by reading the next draft will have some suggestions about what the hook should say.

Since I’m not limited here to three sentences, however, I’ll tell you in a bit more detail about the story.

The main character is a SFPD Inspector (the rest of the world calls them Detectives, but the SFPD calls them Inspectors, for some reason I have yet to discover) who arrives at a crime scene to find a very disturbing murder that reminds him of another case that went unsolved a few months ago. But as he’s trying to do his job, city politics interfere in the form of Frank Jacobs, an important associate of the mayor’s and someone with whom Dan has an unhappy history. There’s an argument, and Jacobs uses his influence with the mayor to get Dan removed from the case. Early the next morning, Frank Jacobs is murdered with Dan’s gun, and Dan is the only suspect. As the story unfolds, he realizes that both murders are related to something his father did when Dan was a child. It’s up to him to figure out what happened and how to stop the series of murders before the growing list of victims includes everyone he cares about.

This is the fourth novel I’ve written. The first was in college and barely deserves mention. The second was a spy thriller involving a super-hacker, a villain based loosely on the idea of what Bill Gate s would be like if he were evil, and a corrupt FBI Assistant Director with his own malevolent plans. My wife still hasn’t forgiven me for killing the hacker, Lyle, a loveable geek who just might have reminded her of me.

My last book was a murder mystery that took place in Lyon and Paris, France, where we lived for nearly two years. That was the first of my novels that got anywhere at all; it attracted an agent in New York who was, alas, unable to sell it. Getting an agent at all was a big boost to my confidence, though. Perhaps in the coming weeks I’ll tell the story of how all that has worked out…

Thanks to those who wanted to know more about the book, the working title of which is The Voice In My Head, by the way. I hope it sounds interesting!

Sunday, April 8, 2007

Now for the fun part...

Yesterday was a big day for me: I finished the first draft of a book I’ve been working on for several years. I moved it from Word into its editorial submission format and printed the monster. That’s it in the picture above.

I was cruising through Steven King’s On Writing the other day and sighed when he wrote that it takes him three months to do a first draft of a novel. He tends to write long novels. Four plus years for this latest of mine. Where has the time gone?

A baby girl, a kitchen remodel, a puppy, a tired, limited mind to work with, etc., etc.--the list of distractions and weaknesses goes on and on. But here I am at last, looking at a tall stack of 426 pages. This will be my third and probably last attempt to get a novel published. So no pressure. It’s only my lifelong dream about to succeed or expire.

I’m going to follow Mr. King’s advice and put the book away in a drawer for a while. (Not a drawer, actually, since no drawer in the house is safe from a certain tiny set of hands.) Work on landscaping our backyard is already underway, and I’ll become a working manager on that project for a few weeks while I let my brain, or what’s left of it, recover from the past months of hard work on character and pace and trying to avoid cliché and sentimentality. The first draft is the fun part, after all. The rewrite is the truly hard work. But I reached a milestone today, and that feels pretty darn good.

Saturday, April 7, 2007

Mr. Sexy!

When I was a youngster one of my dad's favorite expressions was: "I need one of those like I need another hole in my head." I was reminded of this saying when I saw the above advertisement for Matthew Barney's Cremaster Cycle films in Paris years ago.

These posters were all over the Paris metro. You could hardly turn a corner without five or six copies of this goat man giving you the raised eyebrow as he combs the hair from his third nostril or whatever that thing is. You can read more about this series of four films here.

Friday, April 6, 2007

A Very Long Swim

Thursday, April 5, 2007

My Photo Gear

Several people have messaged me asking what equipment I’m using, so I thought I’d answer everyone in a single post. Most of the pictures I’m putting up here were taken with a Canon 30D and a Canon 24-70 f/2.8L lens. Occasionally I rent lenses to try out and I usually note that when I post a photo taken with a rented lens.

With the arrival of our daughter, my wife and I grew increasingly frustrated with the overall poor quality of pictures our compact camera was taking. We decided to get a DSLR and give up the convenience and easy portability of the compact for the hulking size and weight of the DSLR if that meant better pictures. So far it has made a huge difference, both in terms of the picture quality and in portability. I try to bring the camera everywhere I go, and when you’re talking about adding that to child, stroller, diaper bag, etc, it’s a noticeable added weight. But when we get home and see the pictures it’s always been worth it.

That’s my nephew Dean, above. The compact camera would’ve wanted the flash on, but the speed of the Canon lens allowed me to get a good exposure without the flash, which is one of the main advantages for me. I hate the flat, deer in the headlights look of flash photography and love the look of natural light as shown above. In Apple’s Aperture software I increased the saturation a bit to give Dean a warmer skin tone and sharpened the image slightly, as all shots from the Canon are a bit soft. I shoot in RAW format, usually in Aperture priority mode, which I like because I can control the depth of focus. Notice how the background is blurry but Dean’s face is not? This is great for portraits because it makes the face stand out against the background. I don’t really want to notice that it’s my TV he’s standing in front of.

Of course the best thing is to have a photogenic subject. I have loads of good pictures of Dean. He’s a good looking guy.

Wednesday, April 4, 2007

Truth in advertising...

When I posted a picture of Prague's Astrological Clock last month, a friend commented: "Obviously, you didn't drink enough of the local water for it to make sense..."

I recalled that I had taken a picture of the water we were drinking in Prague and it has taken me this long to find that image.

Tuesday, April 3, 2007

The playground can be a scary place...

When we arrived at the school playground yesterday we found that someone had left a few toys behind...a few SCARY toys! I think the highlight of playing with the rubber croc and shark was their series of races down the side by side slide. The shark won every time.

Monday, April 2, 2007

On a clear day...

Sunday, April 1, 2007

Sure, but is it Art?

You never know what you might find stuck to a tree. Waiting for wife and child to buy the morning's muffins, I happened to notice this figure stapled to a tree: a cigarette butt on a toothpick with a yellow gum drop body, taped to a few scraps of paper. I can see someone putting the little thing together, but carrying around a stapler? Maybe this is boyscout street art.